Lisa Nalbone

Lisa Nalbone, Ph.D.

  • Director
  • Associate Professor
  • Lisa.Nalbone@ucf.edu
  • 407-823-2472
  • Office Hours: I am on sabbatical in the fall and will return in the spring.
  • Campus Location: TCH360F

Education

  • Ph.D. from Florida State University
  • M.S. from Georgetown University
  • B.A. from St. Bonaventure University

Research Interests

  • Modern and Contemporary Spanish and Spanish American Literatures, including Fin de Siècle (19th-20th) Spain
  • Hispanic Modernisms
  • Gender Studies
  • 20th Century Spanish Women's Writing
  • Spanish Civil War
  • Generation of 98

Selected Publications

Books

  • The Novels of Carmen Conde: Toward an Expression of Feminine Subjectivity. Newark, DE: Juan de la Cuesta Hispanic Monographs, 2012. http://www.linguatextltd.com/Cuesta/car_NALBONE.html
    Reviewed by: 
    Sibbald, Kathleen. Cincinnati Romance Review. 40 (2016): 131-33
    Andrews, Jean. Bulletin of Spanish Studies (Liverpool). 92 (2015): 154-55.
    Corbalán, Ana. Romance Notes. 54.2 (2014): 283-85.
    Grau-Lleveria, Elena. Women’s Studies: An Interdisciplinary Journal 42.4 (2013): 464-66.
    Bellver, Catherine G. Bulletin of Hispanic Studies. 90.3 (2013): 370-71.
    Bellver, Catherine G. Hispania 96.3 (2013): 584-85.

Edited Collections

Articles/Essays

  • "La construcción de la memoria en 'A la hora en que cierran los bares de Soledad Puértolas." Ed. Christine Di Benedetto and Eugénie Romon. Narraplus, 1 (2018): 119-132.
  • “The Legal, Medical, and Social Contexts of the ‘Angel in the House.’” Teaching the Works of Emilia Pardo Bazán. Ed. Margot Versteeg and Susan Walter. NY: Modern Language Association. 2017. 49-57.
  • "Censorship: Blasco Ibáñez and the Trajectory of His Narrative Production (1939-1978)." Journal of Blasco Ibáñez Studies. 4 (2016/17): 97-112.
  • Nalbone, Lisa. “Spaces of Enclosure in Liberata Masoliver’s Barcelona en llamas.” Spanish Women Writers and Spain's Civil War. Ed. Roberta Johnson and Maryellen Bieder. New York: Routledge. 2017. 52-63.
  • "Moving through Time and Space in Mercedes Rubio's Las siete muchachas del liceo (1957) via Wagner's Parsifal in Barcelona, Spain (1914)." Studies in Medievalism. Ed. Karl Fugelso. XXV (2016): 37-44.
  • "La metaficción en los cuentos del escritor panameño Enrique Jaramillo Levi.” Maga (Panama). 77 (2015): 24-28
  • “Conjuros, seducción y tribulaciones en La última fada de Pardo Bazán.” De Britania a Britonia: La leyenda artúrica en tierras de Iberia: cultura, literatura y traducción. Cuaderno de Bretoña. Ed. Juan Miguel Zarandona. Bern, Switzerland: Peter Lang International, 2014. 282-293.
  • “La política y la (de)construcción de valores en El caballero encantado.” Galdós. Los fundamentos de una épocaEd. Yolanda Arencibia and Rosa María Quintana. Gran Canaria: Cabildo de Gran Canaria, 2014. 309-314.
  • La construcción de la feminidad en la novela española: la mujer novelista de los 50 y 60.” Literatura y Cine: El Bicentenario de la Independencia Iberoamericana y de la Constitución de Cádiz. Asociación Hispánica de Humanidades. Ed. Jorge H. Valdivieso and Enrique Ruis-Fornells Silverde, (2014). 100-107.
  • Border Crossings and Journeys of Discovery: Carmen Conde’s Las oscuras raíces and Solamente un viaje." South Atlantic Review. 78 (2013) 59-74.
  • “La naturaleza y el imaginario nicaragüense: Una lectura ecocéntrica de Jaguar puro inmarchito de Carmen Conde.” Aula Lírica 5 (2013): 47-60.  http://www.aulalirica.org/numerov.pdf
  • "Rewriting Genre and Gender in Tremendismo: Temporal, Spatial, and Auditory Signs in Carmen Conde's Mientras los hombres mueren." Letras Femeninas 38.2 (2012): 97-109.
  • "La visión ginocéntrica en Mientras los hombres mueren de Carmen Conde." Hispania 94 (2011): 229-39. (Lead article)
  • La dialéctica del tradicionalismo y de la modernidad mediante el traslado geográfico en Sin rumbo de Eugenio Cambaceres. Crítica Hispánica 33.1-2 (2011): 65-77.
  • "Las confesiones y los espacios de deseo en La Incógnita y Realidad." Actas del IX Congreso Galdosiano. Ed. Yolanda Arencibia and Rosa María Quintana. Gran Canaria: Cabildo de Gran Canaria, 2011. 410-18.
  • "Entrevista con el escritor cubano Ricardo Viñalet." Pegaso 4 (2010): 79-86.
  • "Colonized And Colonizer Disjunction: Power And Truth In Zeno Gandía’s La Charca." Hispánofila 159 (2010): 23-37.
  • "El vértice de la modernidad en La Quimera y Dulce dueño de Emilia Pardo Bazán."La Literatura de Emilia Pardo Bazán, Ed. José Manuel González Herrán, Cristina Patiño Eirín y Ermitas Penas Varela. A Coruña: Fundacion CaixaGalicia y Casa-Museo Emilia Pardo Bazán, 2009. 483-91.
  • "The Poetics of War in Carmen Conde’s Mientras los hombres mueren." Romance Notes 49.3 (2009): 277-85.
  • “El derrumbe sistemático de la relación colonia/colonizado: La muñeca de Carmela Eulate Sanjurjo.” Baquiana IX (2007-2008): 144-49.
  • “Lola Rodríguez de Tió and Luis Lloréns Torres: Literary Precursors of Puerto Rican Political Ideology.” SECOLAS Annals 32 (2000):125-31.
  • “Collectivity vs. Individuality: Duplicity in Plantation Society in La charca by Manuel Zeno Gandía.” Southeastern Latin Americanist 41 (1997): 38-45.

Book Sections/Chapters

  • "On Being a Writer: The Fictional Self in Enrique Jaramillo Levi's Caracol y otros cuentos." Encuentro con la literatura panameña. Panama: Universal, 2003. 109-29.

Book Reviews

  • Jennifer Smith, Ed. Insolación. By Emilia Pardo Bazán. Newark, DE: Cervantes & Co. Spanish Classics Num. 54, 2011.” Anales Galdosianos 49 (2014): 137-138.
  • "Anna Caballé e Israel Rolón Barada. Carmen Laforet: Una mujer en fuga. Barcelona: RBA, 2010." Cincinnati Romance Review 29 (2010). Web. http://www.cromrev.com/volumes/2010-VOL29/11-Vol29-Caballe.pdf By invitation of author.
  • "Horno-Delgado Asunción y Janet N.Gold, Eds. Mujeres y cambio desde la letra. Santo Domingo, República Dominicana: Secretaría del Estado de la Mujer, 2005." Hispania. 91.1 (2008): 206-07.
  • "Linhard, Alexa Tabea. Fearless Women in the Mexican Revolution and the Spanish Civil War. St. Louis, MO: U of St. Louis P., 2005." Hispania 91.3 (2008): 617-18.
  • "Valera, Juan. Juanita la Larga. Robert M. Fedorchek, Intr. and Trans. Washington, DC: Catholic University Press of America, 2006." Letras Peninsulares 21.1 (2008): 170-72.

Conference Papers/Presentations

  • November 2019. “Aggressing the War-Torn Body: The Censorship of Josefina Canellada’s Penal de Ocaña.” South Atlantic Modern Language Association (SAMLA). Atlanta, GA.
  • November 2019. “Collapse of Empire: Unamuno’s Patriotism, Cuba’s Independence and Symbolic Migrations.” Surpassing Borders: Physical, Emotional and Cultural Movements in the Hispanic Transnationality (from 19th to 21st Century). Florida Atlantic University.
  • July 2019. “Teaching Disability in Galdós’s La de Bringas: (Dis)Order and (Dis)Illusion.” XXIX Congreso Internacional de la Asociación de Estudios de Género y Sexualidades (AEGS): Women Creating in Literary and Intercultural Education. Valencia, Spain.
  • November 2018. "The Art of Comparison: Analyzing and Writing a Comparative Essay on Poetry." American Council on the Teaching of Foreign Languages (ACTFL). New Orleans, LA.
  • November 2018. "The Oppressed Women in Celda común: Recovering the Marginalized Voice of Dolores Medio." South Atlantic Modern Language Association (SAMLA). Birmingham, AL.
  • February 2018. “World Language Vertical Alignment: A Speaker’s Path to Success.” Roundtable Discussant. “Cracking the Communication Code with Real Language” - A Mini-Conference by Florida World Languages in Colleges and Universities, Eastern Florida State College, Palm Bay Campus.
  • November 2017. “Concha Lagos’s Agora: Literary Landscape of Editor/Contributor Correspondence.” South Atlantic Modern Language Association. Atlanta, GA.
  • October 2017. “Rereading Galdós’s La de Bringas (1884): Metaobservations in the Periodical Press.” Mid-America Conference on Hispanic Literature (MACHL). Saint Louis, MO.
  • June 2017. “La mirada masculina: El lienzo artístico y literario en Tristana.” XI Congreso Galdosiano. Las Palmas, Spain.
  • April 2017. "Transition and Liminality in Elisa Brufal’s Siete puertas (1954/1964)." Kentucky Foreign Language Conference. Lexington, KY.
  • November 2016. “Vicente Blasco Ibáñez and the Censorship of his Novels.” South Atlantic Modern Language Association. Jacksonville, FL.
  • October 2016. “Success of Women Faculty: Revisiting Horizontal and Vertical Mentoring Models.” 9th Annual Mentoring Conference. Albuquerque, NM. With Amanda Anthony and Linda Walters.
  • April 2016. “Representations of Space in Pérez Galdós’s “Novel on the Streetcar” and Verne’s 20,000 Leagues Under the Sea.” Nineteenth-Century Studies Association Conference, University of Nebraska-Lincoln, NE.
  • March 2016. “Teaching AP Spanish Literature/Culture Terminology (Pardo Bazán, Unamuno, García Lorca).” California Language Teachers’ Association Annual Conference, Visalia, CA.
  • November 2015. “A Poetics of Art: The Painter’s Gaze in the Novels of Pardo Bazán, Pérez Galdós and Blasco Ibáñez.” South Atlantic Modern Language Association. Durham, NC.
  • October 2015. “Reconciling Paganism and Christianity in Emilia Pardo Bazán’s La última fada.” Asociación Internacional de Literatura y Cultura Femenina Hispánica. Milwaukee, WI.
  • April 2015. “Spaces of Enclosure in Liberata Masoliver’s Barcelona en llamas.” 68th Annual Kentucky Foreign Language Conference. Lexington, KY.
  • November 2014. “Narratives of Confinement: The Body Feminine in the Mid-Twentieth Century Spanish Novel.” South Atlantic Modern Language Association. Atlanta, GA. 
  • June 2014. “Comunicando los espacios de guerra en Barcelona en llamas de Liberata Masoliver.” VII Congreso Internacional de la Asociación Hispánica de Humanidades. Santiago de Compostela, Spain.
  • April 2014. "Subverting Socially Prescribed Masculinity: Intersections of Class, Gender and Ethnicity in Pardo Bazán’s La sirena negra." Kentucky Foreign Language Conference, Lexington, KY.
  • November, 2013. "Process-Based Learning and Academic Integrity in the Language Classroom." ACTFL, Orlando, FL.
  • November, 2013. "Reconfiguring the Image of Race, Class, and Gender from the Homeland in Liberata Masoliver's Efún: Plantation Culture in Spanish Guinea." SAMLA, Atlanta, GA.
  • June, 2013. "La política y la (de)construcción de valores en El caballero encantado." X Congreso Galdosiano, Las Palmas, Spain.
  • April, 2013. "Los enigmas de la naturaleza: Carmen Conde y Jaguar puro inmarchito." XXXIII Asamblea y Congreso Internacional de ALDEEU, St. Augustine, FL.
  • March 2013. "Mapping Gender and Class: Power and Truth in Pardo Bazáns La Quimera." Third Biennial Florida International University Symposium -- Escritoras: From Enlightenment to Modernismo, Miami, FL.
  • January 2013. "From Enigma to Epiphany: Symbolic Convergence Theory in 'A la hora en que cierran los bares' by Soledad Puértolas." Modern Language Association Annual Convention, Boston, MA.
  • November 2012. "Border Crossings and Journeys of Discovery: Carmen Conde's Las oscuras raíces and Solamente un viaje." South Atlantic Modern Language Association. Raleigh, NC.
  • June 2012. "La construcción de la feminidad en la novela española: la mujer novelista de los 50 y 60." VI Congreso de la Asociación Hispánica de Humanidades, Madrid, Spain.
  • April 2012. "Writing the Desecrated Body and Blood: Pardo Bazán's 'Sor Bibiana,' 'Corpus', 'Vampiro,' and '¿Justicia?'" 63rd Annual Kentucky Foreign Language Conference (KFLC). Lexington, KY.
  • January 2012. "Human versus Nonhuman: Collective Hybridity in Emilia Pardo Bazán's The Last Fairy." 127th Modern Language Association (MLA) Annual Convention. Seattle, WA.
  • November 2011. "The Roots of Tremendismo in Carmen Conde's Mientras los hombres mueren." South Atlantic Modern Language Association, Atlanta, GA.
  • October, 2011. “Shapeshifting and the Supernatural: The Hybrid Collective in Emilia Pardo Bazán’s The Last Fairy.” 26th Annual International Conference Studies in Medievalism, Albuquerque, NM.
  • January 2011. “España sin rey: Emplotment Betrays Commitment.” Modern Language Association (MLA) Annual Convention, Los Angeles, CA.
  • November 2010. "Gendered Spaces in Galdós' Tristana." South Atlantic Modern Language Association Annual Convention, Atlanta, GA.
  • October 2010. "When Motherhood Fails: Pardo Bazán’s La sirena negra." Mid-America Conference on Hispanic Literature, St. Louis, MO.
  • April 2010. “Scissors and Hemlines: The New Woman, the New Century in Pardo Bazán’s Journalism.” Kentucky Foreign Language Conference, Lexington, KY.
  • November 2009. “Shifted Gender Scripting: Carmen Conde’s Cobre.” Mountain Interstate Foreign Language Conference, Greenville, SC.
  • November 2009. “Trickery, Seduction, and Distress in Pardo Bazán’s La última fada.” Mid-America Conference on Hispanic Literature, Lawrence, KS.
  • July 2009. "Las confesiones y los espacios de deseo en La incógnita y Realidad." IX Congreso Galdosista, Las Palmas, Spain.
  • April 2009. "(Un)conditional Response in Carmen Conde’s Soy la madre." Kentucky Foreign Language Conference, Lexington, KY.
  • December 2008. “Engendered Textual-Spatial Narrative: La incógnita, Realidad, and Tristana.” Modern Language Association (MLA) Annual Convention, San Francisco, CA.
  • November, 2008. “Economy of Gender in La muñeca by Carmela Eulate Sanjurjo.” South Atlantic Modern Language Association (SAMLA), Louisville, KY.
  • November, 2007.  "Disjunction and Violence in Carmen Conde's Mientras los hombres mueren." SAMLA, Atlanta, GA.
  • April 2007. "Heterotopias: Vehicle of Spatial Movement in Pérez Galdós's El caballero encantado." KFLC, Lexington, KY.
  • April 2005. “La dialéctica ginocéntrica en Mientras los hombres mueren de Carmen Conde,” 58th Annual KFLC. Lexington, KY.
  • October 2003. “Isolation Vs. Interaction: The Case of Tugging Emotions in Blasco Ibáñez's La barraca," 18th Annual Interdisciplinary Conference. Atlanta, GA
  • October 2002. “(Dis)Order in Late Nineteenth Century Society in Zeno Gandía's La charca,” 17th Annual International Conference in Literature and the Visual Arts.  Atlanta, GA.
  • March 2001. "The Literary/Political Nexus of Coll y Toste's Leyendas puertorriqueñas and Reseña del estado social," Southeastern Council of Latin American Studies (SECOLAS). Veracruz, Mexico; 2001.
  • March 2000. "Lola Rodríguez de Tió and Luis Lloréns Torres:  Literary Precursors of Puerto Rican Political Ideology," SECOLAS.  Myrtle Beach, SC.
  • October 1999. "The Ubiquitous Turn of the Corner in Rosa Chacel's Estación.  Ida y vuelta." Mountain Interstate Foreign Language Conference (MIFLC).  Chattanooga, TN.

Invited Lectures/Presentations

  • “Censorship and Carmen Laforet’s Narrative: From Chica Rara to Femme Seule,” Real Colegio Complutense, Harvard University, December 2019
  • “Got Adaptive Learning?: A Digital Course Redesign Initiative Experience”, Co-presenter, Faculty Center for Teaching and Learning, UCF, Summer Conference, May 2019
  • September 2018. Respondent: “Contesting the Boundaries of Mysticism”. I Symposium of the Asociación Internacional de Galdosistas, “Rethinking Galdós Studies.” Bowdoin College, Brunswick, Maine.
  • “World Language Vertical Alignment: A Speaker’s Path to Success.” Co-panelist. Florida World Languages in Colleges and Universities: “Cracking the Communication Code with Real Language,” Eastern Florida State College, Palm Bay Campus, February 2018
  • "The Two Rocíos: A Half-Century of Transition in [Spanish] Music and Culture.” From Sara to Saritísima: A Tribute to Sara Montiel and Her Cultural Legacy. Real Colegio Complutense at Harvard. Harvard University, March 2015. 
  • “Palabras tachadas: Literatura y censura en la España franquista.” Foro Lingüístico, Department of Modern Languages and Literatures, University of Central Florida, March 2015.
  • "Galdós y La novela en el tranvía,” Instituto Franklin, Alcalá de Henares, Spain, September 2013.
  • "The Novels of Carmen Conde: Toward an Expression of Feminine Subjectivity." Center for the Success of Women Faculty Author’s Reception, an invited reading from my book, March 2013.

Miscellaneous Publications

  • Translation of “Explaining Nineteenth-Century Spanish Literature: The Evaluation of Pardo Bazán’s Literature Lessons.” By Íñigo Sánchez-Llama. Teaching the Works of Emilia Pardo Bazán. Ed. Margot Versteeg and Susan Walter. NY: Modern Language Association, 2017. 122-27.
  • Translation of The Last Fairy from the Original Spanish: Emilia Pardo Bazán’s La última fada. De Britania a Britonia: La leyenda artúrica en tierras de Iberia: cultura, literatura y traducción. Cuaderno de Bretoña. Ed. Juan Miguel Zarandona. Bern, Switzerland: Peter Lang International, 2014. 297-334.
  • "Manuel Zeno Gandía." World Literature in Spanish: An Encyclopedia. Vol. 3. Ed. Maureen Ihrie and Salvador A. Oropesa. Santa Barbara, CA: ABC-CLIO, 2011. 1050.
  • “Carmen Conde.” World Literature in Spanish: An Encyclopedia. Vol. 1. Ed. Maureen Ihrie and Salvador A. Oropesa. Santa Barbara, CA: ABC-CLIO, 2011. 230. http://books.google.com/books?id=zPDFHE_5besC&pg=PR5&source=gbs_selected_pages&cad=3#v=snippet&q=carmen%20conde&f=false
  • ¡Arriba! Student Activities Manual. 5th Edition. Upper Saddle River, NJ: Prentice Hall, 2008. Co-authored with Enriq Figueras.
  • ¡Arriba! Lab Manual. 4th Edition. Upper Saddle River, NJ: Prentice Hall, 2004. Co-authored with Enriq Figueras.
  • Plazas: Lugar de encuentros. 2nd Edition. Boston: Heinle and Heinle, 2004. Co-authored with Robert Hershberger et al.
  • "Jorge Teillier." Dictionary of Literary Biography: Modern Spanish Poets. Vol. 283. Ed. María Salgado. Detroit: Gale. 2002. 345-49.
  • "García Balmaseda, Joaquina." Feminist Encyclopedia of Spanish Literature. Vol. 1. Ed. Janet Pérez. Greenwood, CT: Greenwood P. 2002. 263-64.
  • "Palacio Valdés, Armando (1853-1938): Women in His Works." Feminist Encyclopedia of Spanish Literature. Vol. 2. Ed. Janet Pérez. Greenwood, CT: Greenwood P. 2002. 454-56.
  • "Pereda, José María de (1833-1906): His Portrayal of Women." Feminist Encyclopedia of Spanish Literature. Vol. 2. Ed. Janet Pérez. Greenwood, CT: Greenwood P. 2002. 468-71.
  • "Saéz de Melgar, Faustina (1834?-1895)." Feminist Encyclopedia of Spanish Literature. Vol. 2. Ed. Janet Pérez, Greenwood, CT: Greenwood P. 2002. 533-34.
  • Plazas: Lugar de encuentros. Boston: Heinle and Heinle, 2000. Co-authored with Robert Hershberger et al.

Awards

  • 2019 Selected participant, National Endowment for the Humanities Summer Institute, University of Tampa: José Martí and the Immigrant Communities of Florida in Cuban Independence and the Dawn of the American Century  https://bit.ly/2NVMDky
  • 2018 Teaching Incentive Program (TIP) Award
  • 2016 UCF Scroll and Quill Society
  • 2015 Research Incentive Award (RIA)
  • 2015 UCF Woman of Distinction, Center for Success of Women Faculty, UCF
  • 2014 National Endowment for the Humanities (NEH) Symposium, travel grant: “Vicente Blasco Ibanez & World War I Lectures,” University of Oklahoma, Tulsa
  • 2013 Fall Visiting Scholar Appointment, Universidad de Alcalá de Henares, Spain 
  • 2013 Fall Sabbatical Award, UCF 
  • 2012 TIP Award 
  • 2007 Women's Center Research Award in the Arts and Humanities
  • 2007 General Electric Grant:  Fundación de la Lengua Española Instituto de Verano, Valladolid, Spain
  • 2007 TIP Award
  • 2002 TIP Award

Courses

Course Number Course Title Mode Date and Time Syllabus
19574 SPW3101 Survey of Spanish Lit Ⅱ World Wide Web (W) Unavailable
No Description Available
19900 SPW6725 The Generation of 1898 World Wide Web (W) Unavailable
No Description Available

No courses found for Fall 2020.

Course Number Course Title Mode Session Date and Time Syllabus
51456 SPN6940 Teach Meth the Spa Classroom World Wide Web (W) A Unavailable
No Description Available
Course Number Course Title Mode Date and Time Syllabus
17244 SPN3234 Advanced Directed Readings World Wide Web (W) Unavailable
No Description Available
19575 SPN5505 Spa Peninsular Culture & Civ Mixed-Mode/Reduce Seat-Time(M) Unavailable
No Description Available
Course Number Course Title Mode Date and Time Syllabus
90516 SPN3300 Adv Spanish Grammar & Comp World Wide Web (W) Unavailable
No Description Available
91912 SPW4720 The Generation of 1898 World Wide Web (W) Unavailable
No Description Available

Updated: Sep 1, 2020